Plenty of Chance to take a trip to Berlin and catch the amazing Gabriel Orozco show at The Guggenheim, which runs until 13th January.
Environmental comment meets Taxonomic experiment.
Tuesday, 13 November 2012
Friday, 9 November 2012
Thursday, 8 November 2012
Joseph Giovannini
I do not refer back to previous posts very often, my theory is; If you like something, you will bookmark it and check up every now and again. But sometimes i like too. It's interesting to re-visit, to see whether you are wrong, or right, and whether the wheel of taste has rendered an idea as defunct (for the time being).
Anyway, I just revisited Joseph Giovannini, and was blown away all over again. If Frank Gehry, Richard Wilson and Gerrit Rietveld all got drunk, and went mental, this is what it would look like. Amazing stuff.
Anyway, I just revisited Joseph Giovannini, and was blown away all over again. If Frank Gehry, Richard Wilson and Gerrit Rietveld all got drunk, and went mental, this is what it would look like. Amazing stuff.
Wednesday, 7 November 2012
Fraxinus excelsoir
Lets hope not, but might be worth Looking out for the Common ash before its too late.
I love the description from the Collins Tree guide I have, its technical, but also rich and poetic in places. Very fitting.
Europe (including Britain and Ireland); the Caucaus. Abundant/dominant except on light sands; planted everywhere. the flexible 'ash blonde' timber (used for tool-handles) burns even when green.
Appearance Shape Very often; slender, cleanly curving limbs on a often long bore hole. The silvery shoots may droop then curl up like branches of a chandelier. Festooned frequently in ivy, which the airy crown fails to supress, and affected by 'ash die back' (probably due to environmental stresses): once known to 45m; now rarely to 30m. Bark Pale grey, developing a usually regular network of shallow, criss cross ridges; rarely more like English oak's. Erupting black bacterial cankers disfigure many trees. Shoots Grey. Buds Mitre-shaped, soon sooty-black - other ashes have brown buds. Leaves In opposite pair; 9-13 irregularly serrated leaflets (the side ones stalkless), dull above and white-downy under the lower midrib, on a slightly downy main stalk. The last wild tree into leaf, and one of the first to go bare, fleetingly pale yellow. Flowers Nominally dioecious. Some trees change sex yearly, some carry branches of the wrong sex, some are hermaphrodite, and some produce dual-sex ('perfect') flowers. Fruit Bunched keys ripen biscuit brown.
I love the description from the Collins Tree guide I have, its technical, but also rich and poetic in places. Very fitting.
Europe (including Britain and Ireland); the Caucaus. Abundant/dominant except on light sands; planted everywhere. the flexible 'ash blonde' timber (used for tool-handles) burns even when green.
Appearance Shape Very often; slender, cleanly curving limbs on a often long bore hole. The silvery shoots may droop then curl up like branches of a chandelier. Festooned frequently in ivy, which the airy crown fails to supress, and affected by 'ash die back' (probably due to environmental stresses): once known to 45m; now rarely to 30m. Bark Pale grey, developing a usually regular network of shallow, criss cross ridges; rarely more like English oak's. Erupting black bacterial cankers disfigure many trees. Shoots Grey. Buds Mitre-shaped, soon sooty-black - other ashes have brown buds. Leaves In opposite pair; 9-13 irregularly serrated leaflets (the side ones stalkless), dull above and white-downy under the lower midrib, on a slightly downy main stalk. The last wild tree into leaf, and one of the first to go bare, fleetingly pale yellow. Flowers Nominally dioecious. Some trees change sex yearly, some carry branches of the wrong sex, some are hermaphrodite, and some produce dual-sex ('perfect') flowers. Fruit Bunched keys ripen biscuit brown.
Monday, 5 November 2012
Patricia Urquiola - 'Crossing'
Treading a path through the forest of new Patricia Urquiola Products is difficult to say the least. There are 60 or so designed in 2012 listed on Architonic alone, and that output is aimed at different markets, so obviously everything cannot hit the mark. But when Urquiola collaborates with the heavyweights it does tend to be very good. And I think 'Crossing', the recent, high concept range for the brilliant Glasitalia, is very much in the right direction.
Friday, 2 November 2012
Hiatus
Apologies for the break in information, I have been dabbling in Corian, making huge glazed doors, building solid oak staircases, installing period mouldings in my new house and generally feeling tired but satisfied. Will try and get some images of it all up soon.
Anyway, something you should not miss out on, Tom Friedman at Stephen Friedman Gallery until the 10th. Amazing scope here; simple (almost childlike) in appearance, which belies the highly technical nature, and conceptual nuance of the work. And if you cannot make it, there is a good video here, which scans over everything a little, but is still very worth a look.
And looking forward, new Martin Parr work at the Rocket Gallery, on the theme of 'time off', opening on the 29th. (The Lars Wolter Show on at the moment is well worth a nose too.)
Anyway, something you should not miss out on, Tom Friedman at Stephen Friedman Gallery until the 10th. Amazing scope here; simple (almost childlike) in appearance, which belies the highly technical nature, and conceptual nuance of the work. And if you cannot make it, there is a good video here, which scans over everything a little, but is still very worth a look.
And looking forward, new Martin Parr work at the Rocket Gallery, on the theme of 'time off', opening on the 29th. (The Lars Wolter Show on at the moment is well worth a nose too.)
Thursday, 6 September 2012
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